phrygian mode การใช้

• Indeed, the opening melody uses a Phrygian mode subset.
• The rhythmic melody in phrygian mode was later sung in regular meter.
• It is mainly in Phrygian mode, although with numerous shifts to Dorian.
• Much Flamenco music is in the Phrygian mode.
• Aeolian, Dorian and Phrygian mode, i-ii shifting drones and triads.
• While overall the composition is in the Phrygian mode, the harmonized repetitions enforce tonal variety.
• The score modulates, presenting the theme in a phrygian mode, implying a middle eastern atmosphere.
• Its phrygian mode and ambiguous harmonies contribute to the affekt of sadness common to all three texts.
• The Phrygian mode is very similar to the modern natural minor scale ( see Aeolian mode below ).
• The modern Dorian mode resembles the Greek Dorian " harmonia " resembles the modern Phrygian mode .)
• This melody is in Phrygian mode, preferred by Luther for texts of repentance, such as " ".
• Both Turbet and Fitch believe that the work was conceived for the Phrygian mode and then adapted for the other modes.
• Moreover, even Schenkerians like Carl Schachter do not consider this chord as a sign for a shift to the Phrygian mode.
• These included E major as well as E in Phrygian mode and again in Dorian mode, but not E minor per se.
• A number of musicians and theorists ( including renowned guitarist Manolo Sanl鷆ar ) consider the Andalusian cadence as a chord progression built upon the Phrygian mode.
• A characteristic that differentiates them from the ton醩, normally in major mode, is their modulating character, constantly going from major to phrygian mode.
• Modern Assyrian pop music is mostly in a minor key, typically in the Phrygian mode, and themes tend to focus on strings and violins.
• The following is the Phrygian mode starting on E, or E Phrygian, with corresponding natural minor mode can be altered to produce the Phrygian mode:
• The following is the Phrygian mode starting on E, or E Phrygian, with corresponding natural minor mode can be altered to produce the Phrygian mode:
• The 80-bars piece, scored for solo tenor, choir and organ, is primarily in the Phrygian mode, with some remote enharmonic modulation.